November 3, 2026
Filming your pole practice: why dancers record themselves, and studio rules
Pole dancers film themselves because they cannot see their own body while they are upside down or spinning. A video shows what a mirror cannot: whether your lines are straight, whether you lifted or swung into a move, and what you did differently on the attempt that worked. The instructors we read recommend it, with one warning: watching the footage should not eat your time on the pole. Studio rules are the other half. They range from filming allowed in class if you are the only person in the frame, to no filming during class at all but welcome at open practice and after class. The reason studios give most is the other students.
This post covers what pole instructors and studio policy pages say about filming. Every source was read on 29 October 2026.
Why do pole dancers film themselves?
To see what they are doing. The Pole Room, a studio in Melbourne, lists it among its tips for beginners: "It also helps to film yourself as much as possible, so you have greater visibility of your technique."
Holly Munson, a pole instructor and the founder of PoleFreaks, gives the reasons in her own training: "Sometimes I’ll get a move right 2 out of 5 times and need to watch myself back to see what I do with my body that makes the move work." Training alone, she wrote, "I wanted to know if my transitions were smooth and if I was lifting or swinging into moves." Of moves such as a shoulder mount plank, she says she needed to film "in order to see what body parts I need to move and how to straighten out further."
Video also helps when two people need to match. Jody Ryker, writing about doubles pole for the International Pole Convention, says of symmetry between partners: "You’ll need to video yourselves to see how well you’re doing with this." Our post on doubles pole covers partner work.
Can filming get in the way of training?
Yes, and the instructor we read who writes most about filming is the one who says so. Munson's post "Put The Camera Away" describes the trap: "I’ve had people spend more time watching themselves back on the phone than actually getting on the pole." She also admits she started filming moves "to prove I could do them", and that "sometimes I know that I need to work on my strength rather than watching the videos."
Her fixes, from the same post:
- Watch later. "Only watch your videos back after class or when someone else is on the pole".
- Film once it is yours. "If filming a new move you think you’ve nailed, make sure you can do it 5 times confidently before you film."
- Be ready. "If you do want to film, make sure you have your camera ready", because "There will be others waiting for the pole."
- Leave it running. "Film moves back to back, especially if training by yourself. You can just leave the camera on, film it all and watch it back when you’re ready."
A phrase she says she has started using: "an empty pole is a sad pole!"
Filming for social media is a different job from filming to learn. In a separate post, Munson writes that "anything I post always takes a lot longer than it looks", and lists the problems, from "Having the right angle for one move, but the wrong angle for the next" to "Not holding moves for long enough".
Can you film in a pole class?
It depends on the studio, and the policies we read really do differ. Our post on pole class etiquette collects more studio rules on phones; here are the filming ones.
- The Pole Room allows it, with conditions: "We do allow filming in class as long as the camera is positioned in a way that you’re the only person in the frame." It also sets a time: "Recording and the use of your phone should only be done after the instructor has finished giving safety instructions and body cues."
- Body & Pole, in New York, bans filming during class but welcomes it at open play time and after class; our etiquette post quotes the policy.
- Pole in the Wall invited it at one workshop: its Duo Pole workshop page says "Be sure to come ready to take pics and videos with your Pole friends!"
So check your studio's policy page before you set up a phone, and if you cannot find one, ask at the desk.
Why do studios restrict filming?
The policies themselves give the reasons.
Other students. Body & Pole's ban ends with "please respect other students’ privacy." The Pole Room asks filmers to "be courteous and aware that others may not want themselves on camera."
Safety and attention. The Pole Room's rule about waiting until after "safety instructions and body cues" sits next to its rule on phones in general: "We do not allow the use of phones to text and call as a distraction may result in injury or misunderstanding of key points."
The teacher's material. This one comes from tap dance, not pole, but the argument carries over. A post on iTapOnline, a tap dance site, puts it bluntly: "Filming in the middle of a class without the teacher’s consent is disrespectful to the teacher and distracting to the other students." The post's checklist starts with "Did the teacher give you permission to film?"
Do you need video for competitions?
For some, yes. Recording yourself well becomes a practical skill once you compete.
- U.S. Pole Champions describes itself as "a video entry-based competition", and says "All video entries receive a scorecard and feedback from two judges."
- Pole Theatre UK asks applicants for a video: its entry form includes "Add Video Link".
You will also be filmed. The IPSF's 2021 to 2024 code of points, still the newest on its documents page when we checked on 2026-10-14, says athletes at its national and open championships "waive all rights of filming and photography". Our posts on your first pole competition and how pole competitions are judged cover the rest of entering.
What if you train at open practice?
At studios like Body & Pole, which welcomes filming at open play time, open sessions are the easier place to record, because you are not taking class time, but the people around you have the same right not to be in your frame. Our post on open practice and pole jams covers the other open-practice rules.
Quick answers
Why do pole dancers film themselves? To see their technique: lines, transitions, and whether they lifted or swung into a move. You cannot see yourself while inverted or spinning.
Can I film myself in pole class? It depends on the studio. One studio we read allows it if you are the only person in the frame, after the safety instructions; another bans filming during class but welcomes it at open play time and after class.
Is it rude to film other students at pole? The studios we read ask you to keep others out of your frame or to respect their privacy. Get their consent first.
Should I watch my videos during class? One instructor says no: watch after class or while someone else is on the pole, so you do not waste pole time.
Do pole competitions need video? Some do. U.S. Pole Champions is entered by video, and Pole Theatre UK asks applicants for a video link.
Sources
- 5 Tips to Help You Progress As a Beginner, The Pole Room
- Pole Program FAQs, The Pole Room
- Put The Camera Away, Holly Munson, PoleFreaks
- Filming Pole Moves For Social Media, Holly Munson, PoleFreaks
- Doubles Pole: How to Be the Best Pole Partner!, Jody Ryker, International Pole Convention
- Classroom Policies, Body & Pole
- Workshop: Duo Pole, Pole in the Wall
- So You Think You Can Film in Class, iTapOnline
- U.S. Pole Champions
- Pole Theatre UK
- Pole Sports Code of Points 2021 to 2024, IPSF